Shan Chuah
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Room 115, Bulldog Hall 611 E Orange St., Tempe, AZ 85281
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Mail code: 2602Campus: Dtphx
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Shan Chuah is a dance anthropologist whose research examines ancient movement practices in diasporic contexts, with a particular focus on Taijiquan and 'cham, the sacred masked dance ritual of Vajrayana Buddhism. Grounded in ethnographic fieldwork and ethnochoreology, her methodologies integrate embodied inquiry and intercultural analysis to explore how movement transmits knowledge across generations and geographies, as seen in the practice of Taijiquan in Canada and 'cham in India and Nepal. Shan’s work investigates the role of movement in sustaining memory, fostering community well-being, and preserving intangible cultural heritage. She is committed to building accessible digital archives that safeguard embodied traditions, while bridging dance research with interdisciplinary fields such as health sciences, immersive media, and artificial intelligence. She is currently based at Arizona State University, where she stewards the Cross-Cultural Dance Resources Collections, a rare and expansive archive dedicated to global dance traditions. Beyond academia, Shan is passionate about embodied knowledge translation. She is the editor of Dance Central, a quarterly publication on dance in Vancouver, Canada, and the founder of the Choreo Dance Film Festival, launched as a Choreomundus alumna. A gold-medalist Taijiquan instructor and Director of the International Tristar Taiji Association, Shan has competed and performed in Canada, Malaysia, China, Japan, Hungary and Norway. In keeping with the spirit of dance anthropology, she continues to challenge and redefine what dance can mean across cultures.
Rann, S. Like dance but not dance: Situating Taiji within the discourse of dance studies in the case of Sanxing Taiji. Reconsidering Knowledge Production and Inclusion/ Exclusion in Dance Communities, Proceedings of the 32nd Symposium of the ICTM Study Group on Ethnochoreology, 288–292, Brežice, 2024.
Viray, BL, & Rann, S. “Troubling the Training: A Reflexive Dialogue on Decolonizing Performance Pedagogies in the Philippines and Malaysia.” Global Performance Studies, Vol. 5, Nos. 1-2, 2023.
Rann, S. “Blurring of boundaries in Homeostatic: a dance film review,” Journal of Emerging Dance Scholarship, Vol IX, 2021.
Rann, S. Dances of Karmapa: A Cross-Cultural Analysis of ’cham in Exile. NTNU, Master thesis. 2015.
Rann, S. “Dance of a Tibetan lama in exile,” Contemporising the past: envisaging the future, Proceedings of the 2014 World Dance Alliance Global Summit, Angers, 2015.
Rann, S. “The Politics of ’cham: (Re)claiming Space for the Flourishing of Dharma,” Dance and Politics, Recherches en Danse, No.4, December 2015.
Rann, S. “Potency of Dance Form Analysis: Decoding a (Secret) Tibetan Lama Dance,” Dance, Narratives, Heritage: 28th Symposium of the ICTM Study Group on Ethnochoreology: [385-387]. Zagreb, Croatia, 2015.
Courses
2026 Spring
| Course Number | Course Title |
|---|---|
| DCE 402 | Ethnography of Dance Practices |
| DCE 683 | Fieldwork |
| DCE 693 | Applied Project |
| DCE 499 | Individualized Instruction |
| DCE 680 | Practicum |
| DCE 580 | Practicum |
| DCE 593 | Applied Project |
| DCE 502 | Cultural Concepts of Dance |
2025 Fall
| Course Number | Course Title |
|---|---|
| DCE 405 | Writing the Creating Body |
| DCE 505 | Writing the Creating Body |
| DCE 593 | Applied Project |
| DCE 693 | Applied Project |
| DCE 683 | Fieldwork |
2025 Spring
| Course Number | Course Title |
|---|---|
| DCE 402 | Ethnography of Dance Practices |
2024 Fall
| Course Number | Course Title |
|---|---|
| DCE 405 | Writing the Creating Body |
| DCE 505 | Writing the Creating Body |
2024 Spring
| Course Number | Course Title |
|---|---|
| DCE 402 | Ethnography of Dance Practices |