Jeremy Carr

Film International (filmint.nu/?s=Jeremy+Carr&x=0&y=0)

• Film Review: The Creation of Truth: Eight Films by Jean Rouch (Print, Volume 16, Issue 1, 2018)
• An Archive of Indoctrination: Hitler’s Hollywood (April, 2018)
• War’s Veiled Aftermath: 1945 (April , 2018)
• Family Values and Civic Duties: Fassbinder’s Eight Hours Don’t Make a Day (March, 2018)
• Coincidence and Conviction: Irving Pichel’s Tomorrow is Forever (1946) (February, 2018)
• The Form and Function of a Cult Film: ”Deep Red” by Alexia Kannas (February, 2018)
• Film Musings: The More Things Change: Godard in ’67 (Print, Volume 15, Issue 4, 2017)
• Book Review: Full Disclosure: ”Paul Verhoeven: Interviews” (Print, Volume 15, Issue 4, 2017)
• The Kids Are Alright: Miss Kiet’s Children (December, 2017)
• Double Vision: The Breadwinner (November, 2017)
• Truth and Consequences: ”Conversations with Buñuel” by Max Aub, translated and edited by Julie Jones (November, 2017)
• Two of a Kind: Faces Places (November, 2017)
• Life After Death: Dementia 13 (2017) (October, 2017)
• Life on Hold: Mike Leigh’s Meantime (September, 2017)
• Love Kills: Sid & Nancy from the Criterion Collection (September, 2017)
• Catharsis, Backstage and Beyond: Spettacolo (September, 2017)
• Cops, Criminals, and Cultural Revolution: The Nile Hilton Incident (September, 2017)
• Haunted Houses and Gothic Dread: An Interview with Brian O’Malley on The Lodgers (TIFF) (September, 2017)
• As Offbeat As Fancher: Escapes (August, 2017)
• After Love: Verity and Banality (August, 2017)
• Coppola’s Dazzling Teenage Dream: Rumble Fish (July, 17)

• Visions of Invasion: An Interview with Mathieu Ratthe on The Gracefield Incident (July, 2017)
• A Road Movie at “Elephant Speed”: Pop Aye (July 2017)
• The Lights Are On, But Is Anybody Home?: House & House II (June, 2017)
• Taking Chances: An Interview with Doug Liman on The Wall (May, 2017)
• Contradictions of the West(ern): The Man Who Shot Liberty Valance (Print, Volume 15, Issue 1, 2017)
• Criterion Core: Wenders on the Road (Alice in the Cities, Wrong Move, Kings of the Road) (Print, Volume 14 Issues 3-4, 2017)
• De Palma’s Raising Cain: Re-cut and Revisited (April, 2017)
• Into the Land of Salt and Fire: An Interview with Veronica Ferres (April, 2017)
• The Confidence of Competence: Howard Hawks’ Rio Bravo (Print, Volume 14 Issue 2, 2016)
• Cat People: Horror, Necessity, and Creative Collaboration (January, 2017)
• The New World: Exploring the Developing Territory of Terrence Malick (October, 2016)
• Review/feature: A Film of its Time: Spies, Fritz Lang’s Enduring Espionage Thriller (August, 2016)
• F.W. Murnau’s Faust: A Dazzling Achievement in German Silent Cinema (July, 2016)
• Looking Back at The Graduate (May, 2016)
• Who Needs Enemies? Getting Acquainted with Eddie Coyle and His Friends (September, 2015)
• Constancy and Variation: An Autumn Afternoon as Ozu’s Final Testament (April, 2015)
• Il Sorpasso (March, 2015)
• Bridging the Divides: The Fine Lines of Crime Across 110th Street (January, 2015)
• Tati Time: Criterion Delivers The Complete Jacques Tati (December, 2014)
• Journey to Italy: A New, New Realism (Print, Volume 12 Issue 3, 2014)
• Eraserhead: David Lynch's ‘Subconscious Experience’ (October, 2014)  
• A House of Nightmares: Douglas Sirk's Sleep, My Love (August, 2014)
• Picnic at Hanging Rock (July, 2014)
• Double Indemnity (June, 2014)
• The Lying Camera of De Palma's Snake Eyes (April, 2014)
• God's Little Acre (March, 2014)
• Autumn Sonata (February, 2014)
• Rififi (January, 2014)

Notebook (mubi.com/notebook/posts/author/313)

• Pictures of Perception: Close-Up on Welles’ Touch of Evil and The Trial (May, 2018)
• The Uneasy Evolution of the Death Wish Series (March, 2018)
• Expecting the Unexpected: Four by Luis Buñuel (February, 2018)
• Fellini's Fancy: Close-Up on The White Sheik and Nights of Cabiria (January, 2018)
• Crime and Punishment: Close-Up on Brighton Rock (January, 2018)
• That’s Entertainment: Close-Up on The Gang’s All Here (December, 2017)
• In and Of the World: The Textures of Michael’s Mann’s Heat (December, 2017)
• The Speed of Passion: Close-Up on David Lean’s Breaking the Sound Barrier (October, 2017)
• A Twist of Fate: Close-Up on The Chase (October, 2017)
• A New Phase of Horror: Close-Up on Night of the Living Dead (October, 2017)
• Review. Logan Lucky—Steven Soderbergh Remains in Fine Form (August, 2017)
• The Master of...Class Consciousness? Close-Up on 3 from Hitchcock (August, 2017)
• Red Desert & Husbands and Wives: Two Visions from Carlo Di Palma (July, 2017)
• Empire Dreams and the New York City of Midnight Cowboy (July, 2017)
• The Lifecycle of a Franchise: Alien and its Offspring (May, 2017)
• El Dorado: The Dawn of Caan (May, 2017)
• The Nature of Borowczyk’s Passion: Close-Up on The Beast (March, 2017)
• Giallo Norms and Deviations: Close-up on Deep Red and The Strange Color of Your Body’s Tears (Feburary, 2017)
• Close-Up on Leo McCarey’s The Awful Truth: Love and Remarriage (February, 2017)
• The Double Bill Brilliance of Jack Hill: Close-Up on Spider Baby and Pit Stop (January, 2017)
• Miklós Jancsó and the Wages of War: Close-Up on The Red and the White (January, 2017)
• De Sica and His Dynamic Duo Do What They Do Best: Close-Up on Yesterday, Today and Tomorrow (January, 2017)
• The Little Things: Marcel Pagnol's "Marseilles Trilogy" (January, 2017)
• I, Spy?: The Tall Blond Man with One Black Shoe (November, 2016)
• The Tragic Romance of Max Ophüls’ Liebelei (November, 2016)
• Close-Up on General Della Rovere: Rossellini Returns to War
• Mauvaise Graine: Billy Wilder's Swift and Satisfying Directorial Debut (August, 2016)
• Persistence of Vision: The Cinema of Theodoros Angelopoulos (July, 2016)
• Close-Up on Farewell My Concubine: A Spectacular Ode to Life, Love, and Art (May, 2016)
• A Touch of Zen: King Hu’s Masterful Concoction of Cinematic Flavors (April, 2016)
• Close-Up on William Wyler’s The Little Foxes: Family Drama Down South (February, 2016)
• Close-Up on Ball of Fire: Screwball Classic Skewers Stuffiness with Snappy Slang (January, 2016)
• Close-Up on Black Sabbath and Bay of Blood: Double Bava Is Horror at Its Best (October, 2015)
• Close-Up on Two Lovers: James Gray's Extraordinary Average Love Story (August, 2015)
• Close-Up on To Be or Not To Be: Lubitsch Answers the Question of “What's So Funny About the Nazis?” (July, 2015)
• Hondo: Quintessential John Wayne, a Quintessential Western—in 3-D (June, 2015)
• Both Sides Now: The Duality of Sinatra, Small Towns, and Some Came Running (April, 2015)
•  “Art and the theory of art”: The Man from Laramie and the Anthony Mann Western (January, 2015)

Senses of Cinema (http://sensesofcinema.com/author/jeremy-carr/)

• Minnie and Moskowitz (Issue 86, March 2018)
• Great Directors profile of Max Ophuls (Issue 85, December 2018)
• Boetticher’s Bad Men (Revisiting Budd Boetticher dossier, Issue 83, June 2017)
• Great Directors profile of Béla Tarr (Issue 83, June 2017)
• Great Directors profile of Elia Kazan (Issue 81, December, 2016)
• Great Directors profile of John Cassavetes (Issue 79, July 2016)
• Essay: Familiar Refrains and Minor Variations: Quentin Tarantino’s Hateful Eighth (Issue 78, March, 2016)
• Great Directors profile of Quentin Tarantino (Issue 77, December, 2015)
• Great Directors profile of Roman Polanski (Issue 74, March, 2015)
• Cinémathèque Annotations On Film: Scorpio Rising (Issue 74, March, 2015)
• Great Directors profile of Samuel Fuller (Issue 72, October, 2014)

Vague Visages (vaguevisages.com/author/jeremyrcarr/)

• Column – “Vague Visages is FilmStruck” (November, 2016-present): Jean-Pierre Melville’s Le Samouraï - Stanley Kubrick’s Fear and Desire - Pedro Costa’s In Vanda’s Room - Mike Leigh’s Happy-Go-Lucky - Carlos Saura’s Cría cuervos - Mikhail Kalatozov’s I Am Cuba - Yasujirô Ozu’s I Was Born, But… - François Truffaut’s Shoot the Piano Player - Jacques Demy’s Lola - Jean Vigo’s L’Atalante - Pier Paolo Pasolini’s Mamma Roma - Andrei Tarkovsky’s Solaris - Federico Fellini’s La Strada - Anthony Mann’s T-Men and Raw Deal - David Lean’s This Happy Breed -  Louis Malle’s ‘Black Moon’ - Ingmar Bergman’s Summer with Monika - Erich von Stroheim’s Greed - Costa-Gavras’ Z - Henri-Georges Clouzot’s The Wages of Fear - Howard Hawks’ Twentieth Century - Michael Powell and Emeric Pressburger’s The Red Shoes
• Stardust Memories: Woody Allen’s Comic Catharsis (May, 2017)
• Krzysztof Kieślowski’s Dekalog: Putting Faith in the Everyday (October, 2016)
• Love and Death: The Romantic Sorrow of Fritz Lang’s Destiny (September, 2016)
• The Style, Sins and Sympathies of Robert Bresson’s Au hasard Balthazar (September, 2016)
• Modern Times: Charlie Chaplin Finds Freedom in the Age of Industry (August, 2016)
• Classes, Clashes and the City of Michelangelo Antonioni’s Le amiche (July, 2016)
• Piecing Together the Fragments of Jean-Luc Godard’s A Married Woman (June, 2016)
• The Uneasy Allegiances of Nicholas Ray’s In a Lonely Place (June, 2016)

The Retro Set (http://theretroset.com/author/jeremy-carr)

• Style and Then Some: The Thomas Crown Affair (April, 2018)
• Woody Allen gets serious, entertains all the same: September (March, 2018)
• A Western Worth Revisiting—in 3-D: Gun Fury (February, 2018)

Diabolique Magazine (https://diaboliquemagazine.com/author/jeremycarr)

• The Cannon Canon: Invasion U.S.A. (1985) (March, 2018)
• The Cannon Canon: Over the Top (1987) (January, 2018)
• A Thrilling Rediscovery: Nightkill (1980) (January, 2018)
• Roy Colt and Winchester Jack (1970): Mario Bava’s eccentric Spaghetti Western (October, 2017)
• Not Your Average Nasty: The Cannibal Man at 45 (August, 2017)

Screen Mayhem (https://screenmayhem.com/author/jeremy-carr/)

• Akira Kurosawa’s The Most Beautiful (May, 2018)
• Sun, Scandal and Jean Seberg. Otto Preminger’s Lavish Bonjour Tristesse (February, 2018)
• Michelangelo Antonioni’s The Passenger is a Ride Worth Taking (January, 2018)
• Love and Loss in War-torn Russia. Grigori Chukhrai’s Ballad of a Soldier is a Soviet Masterwork (November, 2017)
• Two Rode Together is a Western Worth Searching For. Another Look at John Ford’s Neglected Classic (October, 2017)
• Donkey Skin Another Look at Jacques Demy’s Gorgeous Fairytale (September, 2017)
• Another Look: Jeremy Carr on Robert Altman’s Popeye (August, 2017)

Cinema Retro (cinemaretro.com)

• Othello (March 2018)
• The Savage Innocents (December, 2017)
• One, Two, Three (June, 2017)
• Chimes at Midnight (April, 2017)
• The Taking of Pelham One Two Three (August, 2016)
• These Three (July, 2016)
• Jane B. for Agnès V. (July, 2016)
• I Confess (May, 2016)
• The American Friend (March, 2016)
• Slaughter (October, 2015)

Little White Lies (http://lwlies.com/articles/stanley-kubrick-paths-of-glory-the-rule-of-w…)

• The rule of war in Stanley Kubrick’s Paths of Glory (December, 2017)

Fandor/Keyframe Daily (https://www.fandor.com/posts)

• Re-examining Stop Making Sense a Year After Jonathan Demme's Passing (April, 2018)
• The Oscars' Forgotten Movies (February, 2018)
• John Waters: United by Filth - Saluting a perverse paragon of tolerance (March, 2017)
• Giving Voice to The Voiceless - Fifty years of Black Girl and Ousmane Sembène (December, 2016)
• Mel Gibson, Director: An Affirmation (November, 2016)

Cut Print Film (.cutprintfilm.com/author/jeremycarr/)

• Weekly “New on Blu-ray” column (June, 2016-present)

The Moving Image (amianet.org/resources-and-publications/publications/journal)

• 3-D Rarities (Print, Vol. 17, No. 2, Fall 2017)
• Love in the City (Print, Volume 15, Issue 1, Spring, 2015)

Cineaste Magazine (cineaste.com)

• The Player (Web Exclusive - Vol. XLI, No. 4, Fall, 2016)
• Cries and Whispers (Print, Volume XL, No. 3, Summer, 2015)

Movie Mezzanine (moviemezzanine.com)

• Revolutionary Brilliance (Abel Gance’s Napoleon) (December, 2016)
• Celebrating the Great Revisionist Western (Robert Altman’s McCabe & Mrs. Miller (October, 2016)
• A Masterpiece of Moments: The Big Sleep Turns 70 (August, 2016)
• Big Trouble in Little China at 30: Still Shaking the Pillars of Heaven (June, 2016)
• Death and Despair: Dirk Bogarde, Unlucky in Love (March, 2016)

PopOptiq (popoptiq.com/author/jeremy-carr)

• Weekly “New on Video” column and special Spotlight contributions (November, 2013-May, 2016)

Bright Lights Film Journal (brightlightsfilm.com)

• Coming of age with Kes (June, 2014)

CineAction (cineaction.ca)

• People and Their Places in Antonioni's La Notte (Print, Issue 93, spring, 2014)

Examiner.com

• On-line reviews/essays: The True Story of Jesse James, Kes, and Blow Out. April, 2011.

Moving Pictures Magazine

• Reviews: Tony, One Piece at a Time, and Breathless. April, 2010.