Leah Newsom
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Phone: 480-965-8097
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Mail code: 4402Campus: Tempe
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Leah Newsom is the Manager of Marketing and Communication for the Arizona Center for Medieval and Renaissance Studies. She holds an MFA from Arizona State University and teaches undergraduate creative writing courses.
Master of Fine Arts in Creative Writing, Arizona State University, 2019
Bachelor of Arts in English (Creative Writing), Arizona State University, 2015
"Name Your Body," Conjunctions, Fall 2022 (Onword Issue)
"Break Point," Passages North, January 2021.
"The Harriet Kent Museum and Archive," Ninth Letter, January 2021.
"The Ground Is Wet and I Am Light," PANK Magazine, September 2019
"The Rains," Juked Magazine, April, 2019
"Orphan Bird," Everything Change: an Anthology of Climate Fiction, December, 2018
"Striking Matches in the Dark," an interview with EJ Levy, Superstition Review 2015
"Writing as Performance," an Interview with Maggie Nelson, Superstition Review 2015
"Our Shared Language," an Interview With Daisy Hernandez, Superstition Review 2015
"The Place from which You Dream," an Interview with Ander Monson, Superstition Review 2015
"Oddness Matters," an Interview with Sarah Einstein, Superstition Review 2015
"Epiphany Plotting," Superstition Review Blog 2015
"Xanax," Four Chambers Press, 2014
Courses
2025 Spring
Course Number | Course Title |
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ENG 388 | Intermediate Workshop Fiction |
2024 Fall
Course Number | Course Title |
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ENG 388 | Intermediate Workshop Fiction |
2023 Fall
Course Number | Course Title |
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ENG 388 | Intermediate Workshop Fiction |
2023 Spring
Course Number | Course Title |
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ENG 388 | Intermediate Workshop Fiction |
2022 Fall
Course Number | Course Title |
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ENG 488 | Advanced Workshop Fiction |
2022 Spring
Course Number | Course Title |
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ENG 388 | Intermediate Workshop Fiction |
Graduate teaching assistant
- AME130 - Prototyping Dreams - Fall 2016
- FMS351 - Emerging Digital Media - Fall 2016
- AME310 - Media Literacies and Composition - Spring 2017
- FMS351 - Emerging Digital Media - Spring 2017
- ENG394 - Climate Fiction, Eco-fabulism and the New Weird - Fall 2018