Kristina Knowles

Book Chapters

Knowles, Kristina. 2020. “‘No Doubt They Are Dream-Images’: Meter and Memory in George Crumb’s ‘Dream-Images.’” In Proceedings of the 15th Annual Congress of the Gesellschaft Der Musiktheorie at the Hochschule Für Musik Hanns Eisler and the Universität Der Künste Berlin, edited by Marcus Aydintan, Florian Edler, Roger Graybill, and Laura Kramer, 238–48. Hildesheim; Zurich; New York: Verlag Olms.

Knowles, Kristina. (2021). “Music as Time, Music as Timeless.” In Oxford Handbook of Time in Music, edited by Mark Doffman, Toby Young, and Emily Payne. New York: Oxford University Press.

Knowles, Kristina and Nicholas Shea. (2023). “From Counterpoint to Small Forms: A Cross-Stylistic Approach to Incorporating BIPOC Composers in the Theory Core,” In, Black Composers in the Music Theory Classroom,edited by Melissa Hoag. New York, London: Routledge.

Knowles, Kristina and Richard Ashley. (2023). “Measuring Experienced Time While Listening to Music.” In Performing Time: Synchrony and Temporal Flow in Music and Dance, edited by Clemens Wöllner and Justin London. New York: Oxford University Press.

Journal Articles

Knowles, Kristina. (2017). “A Broken Idyll: Post-Pastoralism in the Works of George Crumb.” E-Rea, Pastoral Sounds, 14.2: 1–15.

Knowles, Kristina. (2020). “Beyond Post-Tonal: A Broader Approach to the Fourth Semester Course,” Engaging Students: Essays in Music Pedagogy Vol. 7.

Durojaye, Cecilia, Kristina L. Knowles, K. Jakob Patten, Mordecai J. Garcia, Michael K. McBeath. (2021). “When Music Speaks: An Acoustic Study of the Speech Surrogacy of the Nigerian Dùndún Talking Drum.” Frontiers in Communication 6. https://www.frontiersin.org/articles/10.3389/fcomm.2021.652690.

Knowles, Kristina. (2022). “Between the Beats: Metric Ambiguity and Rhythmic Gesture in the Works of George Crumb,” Contemporary Music Review Vol. 39.