Shen Qu

“Everlasting/Evergrowing Materiality: Ching Ho Cheng’s Alchemical Works in Time,” Session 

Materiality in Modern and Contemporary Art, SECAC (Southeastern College Art                         Conference), Atlanta, 10/24-10/26/2024

“Ching Ho Cheng-not your typical Chinese son,” Session 8 Past as Prologue: 

Asian American Artists Today, Representations of East Asian Migrants and Settlers in the Western United States ca. 1850-1929 conference, Museum of the Rockies, 09/26-09/28/2024

“Rediscover Ching Ho Cheng (1946-1989),” Session 

Diasporic and globally dispersed art markets, 7th Annual Conference of The International Art Market Studies Association, University of Melbourne, 07/10-07/13/2024

“Metal, Water, and Oxygen: Ching Ho Cheng’s Alchemical Works in Time,” Session 

Energy Consumption in Art History: State of the Interdisciplinary Field, AAH (Association for Art History) 2024 Annual Conference, University of Bristol, 04/03/2024

“The Revival of Materiality: Aesthetics, an Alternative Art History,” Session 

Decolonial Aesthetics: Toward Artistic and Philosophical Interventions, SECAC (Southeastern College Art Conference), Richmond, 10/13/2023

“Token Female contemporary Chinese Artist in art history writing: self-censorship, institutional ne

glect and cultural omissions,” Present at Where are our women artists? Linda Nochlin’s Question in the Age of Feminist Visual Culture Graduate Conference, Rice University, 04/14/2023

“Artistic Education as a political strategy, the social function of Art in premodern China,” Present 

at COLLECTIVE Graduate Symposium, University of Arizona, 03/17/2023

“A Brief Discussion on the Publicity and Privacy of the Public Bathrooms as a Social Domain of 

Youth Subculture,” Present at the 12th Association for Cultural Studies "Crossroads in Cultural Studies" conference, Shanghai University, 08/11/2018