Bradley Ryner
Interim Associate Chair (Mentoring and Community), Associate Professor,
English
-
Ross-Blakley Hall 170C PO Box 871401 TEMPE, AZ 85287-1401
-
Mail code: 1401Campus: Tempe
-
Long Bio
Bradley D. Ryner is the author of Performing Economic Thought: English Drama and Mercantile Writing, 1600-1642 (University of Edinburgh Press, 2014) and the co-editor, along with Darlene Farabee and Mark Netzloff, of Early Modern Drama in Performance: Essays in Honor of Lois Potter (University of Delaware Press, 2015). His teaching interests include: Shakespeare and Renaissance drama; British literature to 1700; drama as a genre; literary theory and cultural studies.
Education
Ph.D. University of Delaware
Research Interests
sixteenth- and seventeenth-century drama, history of economic thought, knowledge production, questions of ontology and agency in early English texts and society.
Publications
BOOK
- Bradley D. Ryner. Performing Economic Thought: English Drama and Mercantile Writing, 1600-1642. (Edinburgh University Press, 2014).
EDITED COLLECTION
- Early Modern Drama in Performance: Essays in Honor of Lois Potter, ed. Darlene Farabee, Mark Netzloff, and Bradley D. Ryner (University of Delaware Press, 2015)
SELECT ESSAYS
- Bradley D. Ryner, “Narratives of Value in Richard Brome’s Dispute with the Salisbury Court” Early Theatre 23.3 (2020): 79-94.
- Bradley D. Ryner, “‘To Look on Your Incestuous Eyes’: Knowledge, Matter, and Desire in Richard Brome’s The Queen’s Exchange and The New Academy,” Economies of Literature and Knowledge in Early Modern Europe: Change and Exchange (2020): 159-180.
- Bradley D. Ryner, “Money and Its Ideas: Justice, Sovereignty, and the Idea of Money as Commodity,” A Cultural History of Money, Vol. 2 (2019): 39-57.
- Bradley D. Ryner, “Drama and Commodity Culture in Marlowe’s Doctor Faustus,” Gathering Force: British Literature in Transition 1557-1623 (2019): 235-250.
- Bradley D. Ryner, “The Usurer’s Theatrical Body: Refiguring Profit in The Jew of Malta and The Blind Beggar of Alexandria,” Early Modern Drama in Performance: Essays in Honor of Lois Potter (2015): 25-34.
- Bradley D. Ryner. “The Cosmopolitical Economies of The Merchant of Venice and A New Way to Pay Old Debts,” Renaissance Drama 42.1 (2014): 141-167.
- Bradley D. Ryner. "Anxieties of Currency Exchange in Middleton and Rowley's The Changeling," Money, Morality, and Culture in Late Medieval and Early Modern Europe (2010): 109-125.
- Bradley D. Ryner. "Not by Record but by Discourse: The Emergence of 'Economics' as a Genre," Elizabethan and Jacobean England: Sources and Documents of the English Renaissance (2010): 411-419.
- Bradley D. Ryner. "Commodity Fetishism in Richard Brome’s A Mad Couple Well Matched and its Sources," Early Modern Literary Studies (2008): 4.1-26.
- Bradley D. Ryner. "The Panoramic View in Mercantile Thought: Or, A Merchant's Map of Cymbeline," Global Traffic: Discourse and Practices of Trade in English Literature and Culture from 1550 to 1700 (2008): 77-94.
- Bradley Ryner. "Exchanging Battle: Objective and Subjective Conflict in The Battle of Maldon," English Studies (2006): 266-276.
Courses
2024 Fall
Course Number | Course Title |
---|---|
ENG 110 | Approaching Big Problems |
ENG 110 | Approaching Big Problems |
2024 Spring
Course Number | Course Title |
---|---|
ENG 300 | Your Degree in the World |
ENG 300 | Your Degree in the World |
ENG 300 | Your Degree in the World |
2023 Fall
Course Number | Course Title |
---|---|
ENG 597 | Graduate Capstone Seminar |
2021 Fall
Course Number | Course Title |
---|---|
ENG 501 | Approaches to Research |
ENG 211 | Intro to English Studies |
2020 Fall
Course Number | Course Title |
---|---|
ENG 501 | Approaches to Research |
2019 Fall
Course Number | Course Title |
---|---|
ENG 501 | Approaches to Research |