Lindsey Reymore

Articles

In revision. Reymore, L. An interdisciplinary analysis of “ringtone” by 100 gecs. Music and Science.

In press. Hansen, N.C., & Reymore, L. Timbral cues underlie instrument-specific absolute pitch in expert oboists. PLOS ONE.

In press. Reymore, L. “Computational approaches to instrumentation analysis with Timbre Trait Profiles,” book chapter in The Oxford Handbook of Orchestration Studies.

2024. Shea, N., Reymore L., White, C.W., Duinker, B., VanHandel, L., Zeller, M., & Biamonte, N. Diversity in music corpus studies. Music Theory Online. https://doi.org/10.30535/mto.30.1.0

2023. Reymore, L., Noble, J., Saitis, C., Traube, C., & Wallmark, Z. Timbre semantic associations vary both between and within instruments: An empirical study incorporating register and pitch height. Music Perception. https://doi.org/10.1525/mp.2023.40.3.253

2023. Reymore, L. Variations in timbre qualia with register and dynamics in the oboe and French horn. Empirical Musicology Review, 16(2), 231–275. https://doi.org/10.18061/emr.v16i2.8005

2022. Reymore, L., Beauvais-Lacasse, E., Smith, B.K., & McAdams, S. Modeling noise-related timbre semantic categories of orchestral instrument sounds with audio features, pitch register, and instrument family. Frontiers in Psychology. 13:796422. https://doi.org/10.3389/fpsyg.2022.796422

2021. Reymore, L. Characterizing prototypical musical instrument timbres with Timbre Trait Profiles. Musicae Scientiae. https://doi.org/10.1177/10298649211001523

2021. Hansen, N.C. & Reymore, L. Articulatory motor planning and timbral idiosyncrasies as underlying mechanisms of instrument-specific absolute pitch in expert musicians. PLOS ONE. https://doi.org/10.1371/journal.pone.0247136

2020. Reymore, L. & Hansen, N.C. A Theory of Instrument-Specific Absolute Pitch. Frontiers in Psychology. 11:560877. https://doi.org/10.3389/fpsyg.2020.560877

2020. Reymore, L. & Huron, D. Mapping the cognitive linguistic dimensions of musical instrument timbre. Psychomusicology, 30(3), 124–144. https://doi.org/10.1037/pmu0000263

2020. Warrenburg, L., Reymore, L., & Shanahan, D. The communication of melancholy, grief, and fear in dance with and without music. Human Technology, 16(3), 283–309. https://doi.org/10.17011/ht/urn.202011256766

Conference Proceedings

2023. Reymore, L. Timbre as a (de)constructing force in 1000 gecs. Proceedings of the 3rd International Conference on Timbre (Timbre 2023). Thessaloniki, Greece. https://drive.google.com/file/d/14AWI_ZL3LunXhO9DEmGznPAXnpYTKQhm/view

2023. Reymore, L., Duinker, B., Zeller, M., VanHandel, L., Shea, N., White, C.W., Tatar, J., Roth, J., and Biamonte, N. “Encoding and Analyzing the Timbre in Popular Song (TiPS) Corpus,” in 2022 Proceedings of the Music Encoding Conference, ed. Ai Lynn Ang, Jennifer Bain, and David Weigl, 139–144. Humanities Commons. Halifax, Canada.

2021. Albrecht, J., Warrenburg, L., Reymore, L., & Shanahan, D. (Eds.). Proceedings of Future Directions of Music Cognition. Ohio State University Libraries. https://doi.org/10.18061/FDMC.2021.0000

2021. Reymore, L., Beauvais-Lacasse, E., Smith, B.K., & McAdams, S. Navigating noise: Modeling perceptual correlates of noise-related semantic timbre categories with audio features. Proceedings of the 22nd International Society for Music Information Retrieval Conference. https://archives.ismir.net/ismir2021/paper/000069.pdf

2020. Reymore, L. Timbre Trait Analysis: The semantics of instrumentation. In A. Zacharakis, C. Saitis, & K. Siedenburg (eds.), Proceedings of the 2nd International Conference on Timbre (Timbre 2020). Online conference (Thessaloniki, Greece). pp. 38–41.

2018. Reymore, L. & Huron, D. Identifying the perceptual dimensions of musical instrument timbre. In R. Parncutt & S. Sattmann (eds.), Proceedings of the 15th International Conference on Music Perception and Cognition. Graz, Austria: Centre for Systematic Musicology, University of Graz. pp. 372–377.

2018. Reymore, L. Musical affect and embodiment: Fear, threat, and danger in the music of The Lord of the Rings. In R. Parncutt & S. Sattmann (eds.), Proceedings of the 15th International Conference on Music Perception and Cognition. Graz, Austria: Centre for Systematic Musicology, University of Graz. pp. 378–383.