Charles Eppley

Books in Preparation

• Disability Arts, eds., Simi Linton, Charles Eppley & Dom Bradley. Supported by grants from the Ford and Mellon foundations (Co-edited artist book) 
• Soundsites: Max Neuhaus and the Politics of Listening (Single-authored scholarly monograph)
• Creative Circuits: Art at Bell Labs in the Age of Technology (Co-authored scholarly monograph)

Articles in Preparation

• “Crypto Climates: Critical Debates on the Environmental Impact of Crypto Art, 2018-present"
• “Once More with Feeling: The Lion's Gallery of the Senses & Accessibility as Curatorial Model”
• “Empowering the Subject Voice: Disability, Equity & Vocality in Contemporary Sonic Art”

Peer-Reviewed Journal Articles

• “A Map of a Sound as a Space: Christine Sun Kim’s (LISTEN) (2016),” Journal of Media Art Study & Theory, Special Issue: Sound, Colonialism and Power (November 2021)
• “Windspun (1981): Liz Phillips, Sonic Public Art and the ‘Greening’ of South Bronx,” Public Art Dialogue, Vol. 11, Issue 1, Special Issue: Public Art & Gender (Spring 2021)
• “Times Square: Strategies and Contingencies of Preserving Sonic Art,” Leonardo Music Journal, Vol. 27, Special Issue: History & Memory (December 2017)
• “Beyond Cage: On Sonic Art History & Historiography,” Parallax, Vol. 23, Issue 3, Special Issue: Sounding/Thinking (July 2017)

Guest Edited Journal Issues

• Charles Eppley, ed., Resonance: The Journal of Sound & Culture, Vol. 5., Nos. 1-4. Special Series: “Queer Politics & Positionalities in Sonic Art.” (2024)
• Charles Eppley, ed., Resonance: The Journal of Sound & Culture, Vol. 4., Nos. 1-4. Special Series: “Queer Politics & Positionalities in Sonic Art.” (2023)
• Charles Eppley and Åsa Stjerna, eds., Public Art Dialogue, Vol. 9., No. 1. Special Issue: “Soundsites: Experiments in Sound and Place.” (Spring 2019)

Special Series Introductions

• “Queer Politics & Positionalities in Sonic Art,” Resonance: The Journal of Sound & Culture, Vol. 4, No. 2. (April 2023)
• Charles Eppley and Åsa Stjerna, “Soundsites: Guest Editor’s Statement,” eds., Public Art Dialogue. Vol. 9., No. 1. Special Issue: Soundsites: Experiments in Sound and Place. (Spring 2019)

Scholarly Interviews

• “Queer Trash & Charles Eppley in Conversation,” Resonance: The Journal of Sound & Culture, Vol. 4, No. 3 (2023) 
• “Queer Podcasting: Ariana Martinez, James T. Green & Charles Eppley in Conversation,” Resonance: The Journal of Sound & Culture, Vol. 4, No. 4 (Forthcoming 2023)
• "Queer Percussion Research Group and Charles Eppley in Conversation," Resonance: The Journal of Sound & Culture, Vol. 5., No. 1 (Forthcoming 2024)

Invited Essays & Book Chapters

• “Towards an Ethical Pedagogy of Emergent Technology: Considerations on Blockchain & AI in the Classroom,” in acierto et al, eds., CQDE: A Feminist Manifestx of Code-ing Vol. 2. (Forthcoming 2024) 
• “A Map of a Sound as a Space: Christine Sun Kim’s (LISTEN) (2016),” in Biserna, ed., Going Out: Walking, Listening, Soundmaking (Umland Editions, 2022). Reprinted journal article. 
• “The Concrete Poetry of the Noigandres,” A Proposito de Nada / Apropos of Nothing (Mexico City: Wendy’s Subway and Aeromoto, 2018)
• “Queer/Feminist Sound & the Digital Archive,” Digital America (August 2015)

Editorials and Interviews (Selected)

• “Difference Machines: An Interview with Tina Rivers Ryan and Paul Vanouse,” Rhizome (Jan 4, 2022)
• “In Conversation: Philippe Parreno & Charles Eppley,” The Brooklyn Rail (March 2018)
• “The Experimental Music of Maryanne Amacher & Philip Corner,” The Brooklyn Rail (November 2, 2017)
• “More than Minimalism: The Algorithmic Turn,” Art in America (January 2016)
• “Yoshi Wada and Drone as Conceptual Art,” Art in America (November 2015)
• “Dream Catcher: Preserving Sonic Art,” Art in America (September 2015)
• “A Noise Festival Makes Melody in Strange Ways,” Hyperallergic (May 21, 2015)
• “In His Final Opera, [Robert Ashley] Presents a Divided Self Portrait," Hyperallergic (April 21, 2015)
• “As Queer Listening: Interview with Sergei Tcherepnin,” Rhizome (September 14, 2014)
• “Spending an Evening with a Maestro of Drone Music [Phill Niblock],” Hyperallergic (October 9, 2014)
• “Public Art in the Sonic Realm,” Hyperallergic (June 23, 2014)
• “The Freedom of Futurist Poetry: Luciano Chessa at the Guggenheim, Hyperallergic (June 12, 2014)
• “Listening Deeply to the Whitney Biennial,” Hyperallergic (May 23, 2014)
• “Charlemagne Palestine at Plymouth Church,” Hyperallergic (March 11, 2014)
• “Sound is Here: Interview with Barbara London,” Rhizome (September 12, 2013)